Rashomon is one of Akira Kurosawa’s best films in a career filled with masterpieces. For those unfamiliar with the 1950 film, the story revolves around the rape of a bride and her samurai husband by a bandit. However, the twist of Rashomon is that every perspective of the incident is different. The investigators interview the bride, the bandit, the ghost of the samurai (through a spirit medium), and we later see the perspective of a woodcutter who claimed to witness the events. The film is a defining work on perspective and memory as it comes to some bleak conclusions …
from Collider https://ift.tt/2PQho8w
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