The creators of Evil explain how the show’s move to streaming has allowed for better storytelling. Premiering in September 2019, Evil follows the forensic psychologist Dr. Kristen Bouchard (Katja Herbers) as she works with a Catholic seminarian (played by Mike Colter) and a technology contractor (Aasif Mandvi) to investigate cases that could have a supernatural component. Kurt Fuller, Christine Lathi, and Michael Emerson also star.
Garnering positive reviews and solid ratings, Evil was renewed for a second season only a month after the first episode premiered. Though season 2 was initially planned to continue airing on CBS, it was announced in May that the supernatural drama would move to Paramount+. It was hoped that the show’s strong performance on digital platforms would help the launch of Paramount+. In a new interview, Evil creators Robert and Michelle King opened up about why the shift to streaming has led to better storytelling overall.
Speaking with Variety, the Kings shed light on what the move to Paramount+ has meant for Evil. For his part, Robert King referred to the move as a “godsend” and cited the fact that the series was no longer “bound into that 42-minute straitjacket.” The creators specifically noted that the show’s large budget for visual effects made it a better fit for streaming. They also touched on how Paramount+ helped the show to be more different, allowing for more sexual elements and more swearing.
The supernatural drama has already proved beneficial to Paramount+ in one sense. The streamer has renewed Evil for season 3, highlighting how viewership has already grown from week to week. Those viewers may notice a change starting with episode 5 of season 2. Although the show is already dealing with themes of infidelity and attraction, in addition to featuring ghouls and ghosts, the Kings stress that Evil will feel more like a streaming title as it continues. This likely means that the creators and their writing team won’t shy away from featuring the sort of explicit content that wouldn’t be featured on a typical network broadcast.
In a more general creative sense and a bit more removed from the broader range of what Paramount+ allows, the Kings have shown with their previous television projects that they like to branch out as their shows progress. The Good Wife is one example, as the legal drama began with a more case-of-the-week structure. But as it went on, the focus shifted more to the characters and their specific arcs. Evil looks to be steadily following that same trajectory so far, and it’s good to know that one of the most acclaimed new shows now has the freedom it needs to grow.
Source: Variety
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